I was initially attracted to this watch because of its fine champlevé dial. Mourice Smith apprenticed to Robert Webster from 1693 to 1701 and was free in 1702. His master, Robert Webster, married the sister of the renowned maker Robert Seigniour and became Master of the Clockmakers’ Company following Thomas Tompion in 1705. Two of Robert’s sons apprenticed to Tompion, and son William continued to work for Tompion as a journeyman (Bruce Maclean, Antiquarian Horology). Apparently, Smith was well connected and that shows in this very good quality watch. Few watches by Maurice Smith are recorded. Another is pictured in several publications and features an intriguing dial that displays the time through two apertures when the case pendent is pressed.
There were many great makers who predominantly worked for others. I think Maurice Smith was one of them and therefore helps explain how other well-known makers, like Tompion, Gretton, and Windmills were able to produce so many watches.
Circa 1707 - 1710, gilt-brass verge and fusee movement engraved Maurice Smith In Cornhill London 208 in inward facing script. Pierced and engraved folate balance table with two birds, and a mustached mask engraved at the neck. Three arm steel balance. Four Egyptian pillars and split fusee stop-work foot with decorative divider.
Additional References and recommended reading:
Brian Loomes, Watchmakers and Clockmakers of the World, N.A.G. Press, 2006
Bruce Maclean, The Webster Family of Clockmakers, Antiquarian Horology, June 1955, pp. 93-94
Philip Priestley, British Watchcase Gold & Silver Marks 1670 to 1970, National Association of Watch & Clock Collectors, 2018